Thursday, December 14, 2006

Bob Sanderson (Royaltones) - Obituary

BOB SANDERSON

Born David Robert Sanderson, Nov 18, 1935, Cumberland City, Tn
Died 25 June 1994, Dearborn Heights, Michigan

Bob Sanderson was the guitarist and leader of the instrumental group The Royaltones. The group was formed in Dearborn, Michigan, in 1957, with the following line-up: Sanderson on guitar, Mike Popoff on piano, his brother Greg Popoff on drums, George Katsakis on sax and Kenny Anderson on bass. Their original name was the Paragons, a previously utilized name that was dropped in August 1958, when the group was signed by Jerry Blaine's Jubilee Records. Their first record, "Poor Boy"/"Wail!" (both sides written by Sanderson) was an immediate hit, peaking at # 17 in Bilboard and staying on the charts for 17 weeks. Quite an achievement for such a "dirty" instrumental. The follow-up, "Seesaw"/"Little Bo", again featured two Sanderson compositions and strong performances on both sides, but failed to chart. The drummer on this single - with a long drum solo on "Little Bo" - was Bill Savich, who eventually jumped ship to Johnny and the Hurricanes. The Royaltones were managed by Harry Balk and Irving Micahnik, about whom I'll be writing more this coming Friday.

They had to wait until 1961 for their second and last hit, "Flamingo Express" on George Goldner's Goldisc label (# 87). Goldner continued to release Royaltones records until the mid-sixties, in spite of poor sales. Some of these records, like "Holy Smoke" and "Royal Whirl", are quite good, but unlike other instrumental acts like Duane Eddy, Johnny and the Hurricanes, the Champs, the Ventures and Bill Black's Combo, the Royaltones didn't have a clear style of their own which made them instantly recognizable. It's not quite clear when Sanderson left the group, probably around 1962. The new guitarist/leader was Dennis Coffey, who would later score an instrumental million seller with "Scorpio" in 1972. By that time they were working mostly as studio sessioneers for the likes of Del Shannon. "When the members of the Royaltones and me recorded behind Del Shannon, Harry Balk flew us in to New York after we rehearsed the songs in Detroit, so we could record them at Bell Sound in midtown Manhattan", says Coffey in his autobiography. "I recorded with Del on many projects, including the big hit "Little Town Flirt".

Sanderson went on to perform in concert with Johnny Cash and June Carter, Roger Miller, Johnny Paycheck, Tanya Tucker, Ricky Skaggs and Conway Twitty. In 1980 he began fronting his own touring band, the Porcupine Mountain Band, which also had a few singles issued, but without chart success.

Bob Sanderson died of a heart attack at the age of 58. His obituary in the Detroit News reported that he was especially proud that his "Poor Boy" was used in the TV series "Fantasy Island" and the rock movie "Let the Good Times Roll" (1972).

Goodness Gracious Sister Anne-Francesca !



This miraculous music didn't just fall into your lap. You had to track it down. As another young Detroiter discovered, it could turn into a dangerous safari. Eleven-year-old rock'n'roll addict Dan Bourgoise would sometimes sneak off the grounds of St Alphonsus School in Dearborn at lunchtime to make his weekly purchase. That way, he had a jump on all the chumps who waited 'til after school to hit the hobby shop in the neighbourhood that carried a couple of racks of singles. "When vou're a kid you've only got so much money in your pocket. If I stretched, I could buy one single a week. There was no taping off the radio, or taping your friends' records. There was no tape! So these little 45s were golden."
When he slipped back into school on this particular November day in 1957, he had a major trophy tucked safely in his notebook. It was a just issued copy of the Great Balls Of Fire EP by Jerry Lee Lewis. It was on the treasured Sun label, and had the coolest sleeve he'd ever seen. As Sister Ann-Francesca moved up and down the aisles checking homework, Dan was daydreaming about what this EP - four songs! - would sound like. When she picked up his notebook for a closer look, his new acquisition slipped out and fell on the floor. Sister Ann, who had a nose for impropriety, pounced on the fallen object. Seeing what it was she flew into a rage. She hated rock'n'roll with a fury which passeth all understanding.
"Look at this," she fumed, waving the vile object for all the class to see. "I told you this `music' was the work of Satan. This is from hell." Looking at the luridly coloured picture sleeve, she appeared to have a point. Here was the face of a crazed hillbilly, blond curls falling in his face. This alien visage was superimposed on a piano, around which danced bright yellow flames against a blood-red backdrop. Just before banishing Dan to the hall, Sister Ann raised the heathen thing over her head and broke it with a sickening snap, the memory of which can still make Dan Bourgoise wince 37 years later. His prize was gone before he could even hear it, and with it all his music money for the week.
Of course, the following week he immediately went out and bought another copy.
Courtesy "Mojo" MagazineBillboard November 1957


Jamie Coe and the Gigolos

Jamie Coe and the Gigolos
Formerly Georgie Cole and the Marquees
Formerly George Colovas


"So tell me," said Bobby Darin as he signed an autograph for the little sister of a local singer he'd just been introduced to. "Do you sing as good as you look?"

George Colovas didn't even blink. The frontman of Georgie
Cole & The Marquees was not simply a cocky kid, he was a cocky
Detroit kid.

"I sing better than you do," he replied.

Then he proved it. Marilyn Bond had hustled the unknown local
band a fill-in slot on this teen extravaganza at the Michigan State
Fairgrounds in the spring of 1959 starring Darin, Neil Sedaka,
Jimmy Dean, Roger Smith (of TV's 77 Sunset Strip), Jack Scott
and a cavalcade of others. Georgie Cole & The Marquees only got
one quick song between stars, but they made the most of it. Halfway into their assault on Little Richard's Miss Ann, the singer had been pulled into the hysterical crowd, and the entire stage would've been overrun had not police moved in to restore order.


Bobby Darin

Forty-eight hours later George Colovas was flying to New York
with Bobby Darin. Except that he wasn't George Colovas any
more. He wasn't even Georgie Cole. Bobby Darin's new protege
was Jamie Coe, and Jamie Coe & The Gigolos were about to
become world famous. It was as good as done, Darin assured him.

Jamie Coe & The Gigolos wound up never having any hits at all.
Despite spots on big tours, despite two appearances on American
Bandstand, despite several local smashes that were good enough to have gone all the way, the planets never quite aligned in their favour.

What Del Shannon's great records and Coe & The Gigolos' great live performances say about Michigan rock of the early '60s, however, is almost identical. Teen solo stars may have been the coin of the national realm, but in Detroit, where music meant honest work, bands were still the thing. It was OK to have a pretty boy in front, but the band had 'better be able to back him up.
Courtesy "Mojo" magazine

Personnel:

Management:
Marilyn Bond

Labels:
ABC Paramount
Enterprise

Singles:



The Royaltones

The Royaltones
Formerly The Paragons

Personnel:
David Robert "Bob" Sanderson (b.1935-d.1994) - Guitar
Mike Popoff - Piano
Greg Popoff - Drums
George Katsakis - Sax
Kenny Anderson (d.1972) - Bass
Jack Rainwater
Bill Savich - Drums (Subseq. Johnny and the Hurricanes)
Dennis Coffey - Guitar (Subseq. Funk Brothers)
Bob Babbitt - Bass (Subseq. Funk Brothers)

Management:
Harry Balk
Irving Micahnik

Labels:
1958 Signed Jubilee Records
George Goldner'sGoldisc label

Records Charted:
"Poor Boy"/"Wail!" Jubilee - 1958 - Billboard #17 - 17 weeks
"Flamingo Express" - Goldisc-1961 - Billboard # 87



Their original name was the Paragons, a previously utilized name that was dropped in August 1958, when the group was signed by Jerry Blaine's Jubilee Records. Their first record, "Poor Boy"/"Wail!" (both sides written by Sanderson) was an immediate hit, peaking at # 17 in Bilboard and staying on the charts for 17 weeks. Quite an achievement for such a "dirty" instrumental. The follow-up, "Seesaw"/"Little Bo", again featured two Sanderson compositions and strong performances on both sides, but failed to chart. The drummer on this single - with a long drum solo on "Little Bo" - was Bill Savich, who eventually jumped ship to Johnny and the Hurricanes. The Royaltones were managed by Harry Balk and Irving Micahnik.

Inaugural Post

This Blog has been created to collect information comments and photos regarding the Dearborn music scene in the 50's and 60's. We will attempt to collect historical information on Performers, Personalaties, Teen Clubs, Nite Clubs,Radio Stations, Recording studios and labels specific to Dearborn Michigan in this era. Comments and contributions are welcome.